In my synaesthesia, 30,000 Notes is green.

This show was a cross-artform theatrical experiment
with a surround sound choir and string quartet,
a series of monologues, 
and everything I've ever written spread out on a 13 metre-long wall.

I wrote the words and music, conducted and performed it.

It's all about memory and how we capture the past.
It's about my Nonna
and how, in music and words, I tried to capture everything she meant to me.

30,000 Notes premiered on the 19th of February 2019 at the Adelaide Fringe.
At the Fringe awards, it won the Adelaide Festival Centre InSpace Development Award, the Holden Street Theatres Award, the Best Emerging Producer Award, and was nominated for the John Chataway Innovation Award.
It also won the Adelaide Theatre Guide Best Cabaret Award and was nominated for the Adelaide Critics Circle Innovation Award.

'Malcolm', the former Prime Minister of Australia, is blue in my mind.
So was his political party.
And in 2017 he did some things which made me feel pretty blue:
He decided to put Australia through a divisive and traumatic public debate over gay marriage
when he could have just legalised it with a vote in Parliament.

So I wrote an open letter to him
Where, in rhyme, I outlined my outrage and grievances against him.
And it sort of became my own queer rights anthem
during a period that was so horrible for so many of us.

I posted it online, and it got shared around a bit.
(Okay, about quarter of a million people saw it).

So I released the song for purchase, where the money went to charity
and as a result some very generous people raised over $3,000 for QLife
– Australia's national queer counselling service.

Even though the plebiscite has long since passed, you can still buy this song below,
and the funds will still be donated to QLife.

Scarred For Life is red to me. 
(well, it's actually orange, but my scar is red, so the show is red by association).

This was my debut solo show.

I filled it with original songs
about the time I fell off my bicycle,
ruptured my spleen,
and almost bled to death.
What I'm left with now is an eight inch scar on my abdomen.
I know – perfect material for a musical comedy.

I premiered it at the 2017 Adelaide Cabaret Fringe Festival
and something really interesting happened:
all kinds of people came up to me afterwards and told me their own medical stories.
Many showed me their scar(s).
And their willingness to share their stories inspired me to keep telling mine.

I was going to bring it to the Adelaide Fringe 2020, at Holden Street Theatres,
But I decided to bring a new show instead. It's here.